Collector's Collection, Curator's Take
Enchantment @ 55
55 Genting Lane
30 May - 15 June 2022
12 noon to 8pm daily
Collector's Review
第一眼浏览马琼的画作,瞬间有一种心灵的碰撞,那是久违了的童真。一下子直击心头的,被征服的是她笔下的简述,纯净的色彩、人物、动物,或虚或实,都在朴实地叙述着她经历的故事。那是童趣,似近且远,竟像是我儿提时那一段日子。
———藏家语录
When I first glanced at Ma Qiong's paintings, there was an instant collision of souls, which reminds me of a long-lost innocence. What hits my heart all at once, is her brief descriptions, pure colors, characters, animals, virtual or real, all narrating the story of her experience in a simple way. It was childlike, near and far, like the days when I was a child.
——Quotation from Ma Qiong’s collector
Ma Qiong
中文名: 马琼
Name: Ma Qiong
出生地: 辽宁省沈阳市
Birthplace: Shenyang City, Liaoning Province
出生日期 1980年
Born in 1980
Exhibited Work
BOY ON TRICYCLE | GIRL RESTING ON A MULE | GIRL RESTING BY THE LAKE | GIRL SITTING ON GRASS | GIRL IN A LOTUS POND | GIRL ON TOP OF A HAYSTACK | GIRL WITH DANDELION | GIRL RESTING UNDER THE TREE | CANARD 1, 2, AND 3
马琼,1980年生于辽宁省沈阳市,2009年毕业于四川美术学院油画系,获硕士学位。
马琼用油画笔在画布上开出一条蜿蜒小径,路那头,是她寻觅多年的艺术上的归属感——她只做最接“地气”、最切合自己心境的作品,这也使她的作品无需被生硬纳入年代以组建风格、图像的关系,而是自身呈现出鲜明的历史脉络感和阶段性。
离家日久,关于东北家乡的记忆却日久弥新。昔我往矣,远望可以当归——“哪怕空间上回到故乡,时间也已带走了记忆里的印象,”这是艺术家的原话。于是她极力捕捉住这些片段的影像,将记忆细腻地定格在画布上,形成了现阶段独特的艺术语言。
拥有明确历史脉络感和阶段性的作品是有趣的——也许艺术家的所求始终如一,但探寻的路上风景一直在变。在追寻艺术归属感的一个个阶段上,马琼永远诚实而真挚。
Ma Qiong was born in Shenyang, Liaoning Province in 1980. She graduated from Sichuan Academy of Fine Arts, Oil Painting Department in 2009 with a master's degree.
Ma Qiong started a winding path on the canvas with an oil paint brush. At the other end of the road is the sense of belonging in art that she has been looking for for many years - she only makes work that is "down to earth" and best represents her mood. Her work does not need to be incorporated into any era to form the relationship between styles and images, but instead present a distinct sense of historical context and stages.
After being away from home for a long time, Ma Qiong’s memory of her hometown in Northeast China has gotten fresher with each passing day. "Even if she returns to her hometown, time has taken away the impressions in her memory," Therefore she tries her best to capture the images of these fragments, and fix the memory delicately on the canvas, forming a unique artistic language.
It is interesting to have works with a clear sense of historical context and stages—perhaps the artist’s aspirations remain the same, but the landscape on the way to exploration is always changing. Ma Qiong is always honest and sincere in her pursuit of artistic belonging.
Alan Tan
Alan Tan graduated from Singapore Polytechnic with a Diploma in Architecture Technologies and obtained his Business and Management BSc (Hons) degree from the University of Bradford, UK. He was an urban greenery specialist and a part-time tutor at the National University of Singapore before leaving the corporate world to pursue his dream as an artist. Alan Tan is a self-taught artist and a member of the International Art and Culture (Singapore) Federation. He harnesses the pour acrylic technique to create modern abstract artworks which incorporate lots of flow and dynamics; showering art enthusiasts and collectors with plenty of positive vibes.
Exhibited Work
CITY NIGHT (2022), Acrylic Pour with Clear Varnish
P Gnana
P Gnana is a Singapore artist who paints, sculpts and creates conceptual installations. Gnana is a recipient of the LASALLE scholarship of the LASALLE College of the Arts, Singapore from where he received his formal training. His artworks are in the collection of the former President of the Republic of Singapore and the Singapore Art Museum of the National Heritage Board. He has exhibited his artwork in many exhibitions in South and South-East Asia. His sculptures on Cows and relationships and his paintings are in the private collections of many prominent art collectors throughout the region.
Exhibited Work
MIND ECHO (2020), Acrylic on Canvas (Texture Paste)
Paul Hume
Paul Hume is a UK born-Singapore based multidisciplinary artist working in drawing, painting, film, composition, writing and digital design. In his visual work he challenges assumptions about the human domination of the planet. He says that, "Creativity runs over the borders between what we think we know and what we don't. This should make us humble, not self-important. Our ability to imagine new things, new products, new cities, new worlds makes us dangerous. We must not forget that fundamentally we are cells and atoms, just like every other living thing on Earth." He continues to use traditional ways of making an image, combined with motion and digital possibilities. He looks forward to meeting you at the exhibition, Enchantment@55
Exhibited Work
BEIJING (2017), Oil, Acrylic, Charcoal and Graphite on Laminated Sheets of Tissue Paper Mounted on Canvas
MOVEMENT (2016 - 2022), Oil, Acrylic, Charcoal and Graphite on Laminated Sheets of Tissue Paper Mounted on Canvas